In making WHOEVER MAY KNOW, Kutz demonstrated a true passion for documentary filmmaking, something that would come through again in SKOK / THE LEAP (1967), in which Kutz depicted the community of a PGR (collective farm) without a shade of sentimentality, indulgence or condescension. Based on a short story by writer and reporter Edmund Gluchowski, the film depicts Polish country life with a measure of subtle irony. Censors delayed the release of THE LEAP for a period of two years as part of the cultural repressions that followed the public protests of March 1968.