Anyone who saw Monelle (FID2019) won’t haveforgotten it. Genius peculiarto and filmmakerDiego Marcon : creative, explosive sketches,elementary and powerful devices designedto remain burned both on the eye and inthe memory. Here, again, there are very fewcharacters: in a bedroom opposite the window,a man sits on an unmade bed, then his twochildren and finally their mother, each with acontorted face à la Paul McCarthy. Again, thesound is decisive: a chilling, disjointed dittysweetly describing abomination. The Parent’sRoom is a huddled-up horror film that, under thedomestic bliss, reveals the truth disrupting anynuclear family: the murder. (Jean-Pierre Rehm)