50年代的斯洛伐克电影经典,也算预示了革命的60年代电影的到来的一部作品吧,虽然现在看上去有点过时了。Within a few years, slovak film production was heavily controlled by the state and films were not allowed to undermine Stalinism. Psychologising was frowned upon and characters became cardboard cut-outs subservient to political ideals. A dominant feature of film poetics of this period was descriptive-symbolic stylization. Even the titles of films like Dam (Priehrada, Pal'o Bielik, 1950), Young Hearts (Mlade srdcia, Vaclav Kubasek, 1952), and Hamlets Have Started Off (Lazy sa pohli, Pal'o Bielik, 1952) were designed to represent social and societal change.http://en.wikipedia.org/wiki/Cinema_of_Slovakia