这个新视觉影像作品《犯罪现场》是真实的场景录音组合。在此作品中，戏剧与表演与情境之间的转换是其表现的主题。人们可以听到对话，但对话者所在的地点和影像是开放的。场景在每个观察者脑海中的长线是非恒定的时间或空间，是一个持续变换的场域。权力关系的角逐场域或欲望结构总是不断地被重新审视。 In this work Jenny Man Wu transfers text into the cinematic space via sound files. Transferring performance and theatricality as well as set situations into the cinematic space are central themes of this presentation. The text was taken from recorded live scenes. One can hear conversations; yet the place or the image of the protagonists remains open. Thus the scenery is generated in the viewers’ imagination, turning it into a transient place, an ever-changing space being constantly created in the mind of the viewer. A playfield on which power-relations and patterns of desire can be negotiated and renegotiated.