The experience of recording still and moving images before the 2020 military coup in Myanmar allows me to explore the nation’s stagnant movements. In a way, the stillness is similar to that of stuffed animals I came across in the Yangon Zoological Garden. I also think of another type of movement which is so alike; that is, the slow movement of the Yangon circle line train, which loops back to its former state, much like the political history of Myanmar.