Abstraction as Apprehension

Abstraction as Apprehension

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 内容简介

Published in the Washington Post on August 9, 2024—just three months before the presidential election—this animation, made from cut-up ink drawings by the painter Amy Sillman and set to a foreboding score by Marina Rosenfeld, imagines summer as a time of “apprehension,” a time when, as Sillman observes, “roses bloom but their thorns also prick.”

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