Built over the natural sulphur springs, the Sulphur Baths building in Split is a space dedicated to the care of both body and soul. Moving away from the traditional historicization, this experimental film essay examines the classic mode of presenting architecture – its complexity and the reasons behind the construction and disappearance of a building. The act of combining static and moving images, as well as verbal and non-verbal sounds, results in active, critical and discursive material; the artist is dealing with the „architecture“ of the film itself.